07/20/21

Writing Exercise: Music and Character

Think of a song or piece of music you absolutely detest so much it makes you clamp your hands over your ears. Could be a Christmas song, a hymn, a nursery ditty, or a classical piece. Maybe it’s a chart-topper by some formulaic, squeaky clean, put-together boy band.

Write a paragraph or two about this song. What do you dislike about it? Is it a repetitive dirge? Does the beat feels out of sync with the words? Is it so loud it makes your ears bleed? Write freely and really dig down deep inside yourself to get to the heart of what you dislike.

Next, think of your favourite song or piece of music – something that really speaks to you. What would you choose if you could only take one song to a desert island? Same again – write freely and get to the heart of what you love about this music. Which chords does it strike within you?

Continue reading
Share
02/28/18

Using Memories and Senses to Evoke Atmosphere in Creative Writing

The Beast from the East has barged into East Lancashire and it’s bloody freezing. I’m really glad I don’t live in one of those countries where the only water is in icicle form, your feet freeze to the pavement and you have to go outside and chop up sticks to feed the fire that keeps you just the right side of death.

This morning, a woman walked past my house pulling a small child on a sledge. The sledge was the traditional kind, wooden slatted top with curved metal runners, same as the one I got for Christmas as a six year old. Mine had blue painted runners and a rope for steering. That was the idea anyway, more often than not I’d end up in the bushes or wrapped round some other kid on a sledge.

This kid knows what she’s doing. Photo credit: Pezibear/Pixaby

Watching the kid being pulled along earlier, didn’t just evoke visual memories. The feelings came back. That sudden sense of weightlessness, of sliding away downhill and the unforgiving bumps to the bones under the buttocks, shooting up the back, jarring it, dodgem style. It’s an unlikely combination – the smooth sliding and unpredictable bumping.

More sledgy feelings: watering eyes, fingers and toes numb yet smarting; the tops of your ears stinging as though they’ve been sliced off. A bitter assault on the nose as the cruel wind causes the hairs in your nasal passages to crackle like splinters of ice. Creeping wetness from snow which has sneaked inside the folds of your scarf, down the tops of your boots and into your gloves. Continue reading

Share
08/15/16

Performing at the Ilkley Fringe Festival

I’m delighted, delighted, chuffed to announce that I will be reading my short story from the Leeds Trinity University Creative Writing Anthology at the Ilkley Fringe Festival on 4th October.Leeds Trinity University Anthology

This is the anthology I co-edited with the wonderfully creative and super-organised Lucy Brighton, under the supervision of Prof. Hardwick.

I’ve organised for a small group of contributors to read our work at the Festival, giving priority to emerging writers. For most of us, this is our first published piece of work. Yay!

It’ll be my first performance. I am rigid with fear and bubbling with enthusiasm in equal measure. How is that even possible? And how will such a mismatched duality manifest itself on the night? Continue reading

Share
01/7/12

Travel Writing Cliches to Avoid.

Travel writing is riddled with cliches.  They make your writing predictable and unmemorable.  Avoid. Avoid. Avoid.

The best way to be familiar with those cliches is to read a lot.  If you’ve got your brain switched on, the cliches  start popping out at you after a while.

Here’s a glossary to the most popular (oh, and I promise never to use any of them).

Steeped in history. A town or city where loads of things happened once. People were separated from their heads in the town square,  invading armies heaved themselves uphill towards the castle (now open for guided tours) and pustule-riddled plague victims were wheeled off on a cart. We’ve loads of places like this in the UK.

Continue reading

Share